/* */

Klammern aus denen Blätter sprießen

Hunter Shaw Fine Art presented the second iteration of Klammern aus denen Blätter Spriessen, an exhibition with works by Colleen Hargaden, Filip Kostic, Yein Lee, Andrew Rutherdale and Jonas Schoeneberg. The exhibition was a collaboration between HSFA and Berlin-based independent space Scherben, who hosted the first iteration in April 2022.

Klammern aus denen Blätter sprießen assembled a group of artists who have independently sought to investigate different strains and subcultures of escapism, found in DIY maker movements, mysticism, gaming culture, biotechnology, virtual reality and the extension of bodily formations through social and scientific techniques. Showing in this ensemble for the first time, Colleen Hargaden, Filip Kostic, Yein Lee, Andrew Rutherdale and Jonas Schoeneberg ventured out of their studios in Berlin, Los Angeles, Montreal and Vienna to open up their practices to mutual encounters, allowing their perspectives and interests to intersect, converge and enter into conversation with one another. Together they offered conceptual variables to understand situations excluded from normative notions of the real. Like the seemingly irreal scenario of “brackets, from which leaves sprout” (Klammern aus denen Blätter sprießen), alternate patterns and cognitive abilities emerged from which to think anew the escape button commonly associated with configurations of virtual reality. If one of these pathways was projected in spacetime, it would read: “Once you’ve made a gateway of brackets, slipping into the embrace between them, you unlock the control console and peer into its memory slot. There. Expect a beautiful but unreal setting.”

/* */